Mulholland drive cast1/17/2024 And it won’t matter if the girl is more talented or not. Though Lynch himself admitted to feeling unhappy about the cut, his extraordinary reclamation project seems informed by the common disappointment of not making it in Hollywood – whether through accidents of luck or timing, lack of better connections, or the unaccountable forces behind the scenes. He’s seduced by the Hollywood dream factory, but knows how ugly it looks on the inside.Ĭase in point: Mulholland Drive itself, which began as a rejected 90-minute pilot for ABC, the network that once turned Lynch’s Twin Peaks into a sensation, but refused to roll the dice a second time. Lynch’s affection for classic Hollywood has been apparent since his 1986 film Blue Velvet turned noir on its head, but his own career on its fringes informs Mulholland Drive just as strongly. (At No 28, it’s only a few slots behind Wong Kar-wai’s In the Mood for Love, another bewitching masterpiece.) It’s surely no coincidence that Vertigo, along with Sunset Boulevard, is the film Lynch most directly references as the identities of two very different women merge and then fracture into so many pieces that it takes multiple viewings just to start putting them back together. And what you know is valid.David Lynch’s Mulholland Drive, now 20 years old, is on the same journey, one of only two 21st-century movies to place on the most recent Sight & Sound Top 100. So if you liked the movie but didn't exactly "understand" its maddening final stretch, Lynch's advice to you might be the same he famously gave an English teacher who asked him to explain it: "You do know. In the end, even if the dream reading offers helpful context for Diane's story as an emotional journey, the real "meaning" of Mulholland Drive's ending depends primarily on what each viewer takes away from it. And that's not even getting into the Club Silencio scene, which is so raw and powerful on its face that jamming its bizarre inner workings into a literary "explanation" would be cinematic heresy, never mind how abstract and inexplicable a moment it is. but that completely muddles the oh-so-neat dream reading. Unless, of course, you view it as an interdimensional portal, with the man behind the diner as a supernatural guardian. Speaking of which, though it's easy to accept the blue box as a magical MacGuffin, it's never possible to understand its true nature or why it factors into the two stories the way it does. Finally, the rotting corpse Betty and Rita find at the height of their investigation is Diane imagining herself dead, alone, her body abandoned for days. The mysterious hitman (Mark Pellegrino) is, of course, the very same Diane hired to kill Camilla, bumbling around offing innocent people as an expression of her guilt. Even the two subplots could be imagined by Diane: Adam's woes might be Diane's subconscious punishing him for marrying Camilla. The woman referred to as "Camilla Rhodes" (Melissa George) is who the real Camilla kissed in front of Betty to spite her. because that's where Diane suffered the trauma of Adam and Camilla's engagement party. Betty's "Aunt Ruth" is Diane's deceased aunt. Rita is a version of Camilla that reciprocates her affection. The pure, innocent, immediately successful Betty is Diane's idea of who she'd like to be. If we assume Diane's story - rejected by Hollywood, ditched and humiliated by Camilla Rhodes, forced to watch as her beloved ascends to stardom and marries a filmmaker - to be "reality," then many things in the movie's first 100 minutes suddenly snap into place. Even though "a dream all along" is one of the most hackneyed stock movie readings, it actually does make sense in Mulholland Drive's case.
0 Comments
Leave a Reply.AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |